~ “Yvaine” in Stardust (2007 film), based on Stardust (1998), by Neil Gaiman.
Man has here two and a half minutes—one to smile, one to sigh, and a half to love: for in the midst of this minute he dies.
~ Jean Paul Friedrich Richter
You Are Tired (I Think) by e.e. cummings
You are tired,
Of the always puzzle of living and doing;
And so am I.
Come with me, then,
And we’ll leave it far and far away—
(Only you and I, understand!)
You have played,
And broke the toys you were fondest of,
And are a little tired now;
Tired of things that break, and—
So am I.
But I come with a dream in my eyes tonight,
And I knock with a rose at the hopeless gate of your heart—
Open to me!
For I will show you places Nobody knows,
And, if you like,
The perfect places of Sleep.
Ah, come with me!
I’ll blow you that wonderful bubble, the moon,
That floats forever and a day;
I’ll sing you the jacinth song
Of the probable stars;
I will attempt the unstartled steppes of dream,
Until I find the Only Flower,
Which shall keep (I think) your little heart
While the moon comes out of the sea.
- e.e. cummings
Watch out for intellect,
because it knows so much it knows nothing
and leaves you hanging upside down,
mouthing knowledge as your heart
falls out of your mouth.
Watch out for love
(unless it is true,
and every part of you says yes including the toes),
it will wrap you up like a mummy,
and your scream won’t be heard
and none of your running will end.
Love? Be it man. Be it woman.
It must be a wave you want to glide in on,
give your body to it, give your laugh to it,
give, when the gravelly sand takes you,
your tears to the land. To love another is something
like prayer and can’t be planned, you just fall
into its arms because your belief undoes your disbelief.
~ Anne Sexton
~ Sogyal Rinpoche
~ Simone Weil
If one chaste love, if one divine compassion,
If one destiny is equal for two lovers,
If one hard fate of the one is felt by the other,
If one spirit, if one will guides two hearts;
If one soul in two bodies makes itself eternal,
Lifting both to heaven with a single wing,
If Love in one blow and one golden arrow
The hearts in two chests can burn and tear;
If the one loves the other and neither loves himself,
With one pleasure and one delight, to such a measure
That one and the other desire to reach a single end:
Thousands and thousands would not make a hundredth
Of such a knot of love, or of such a faith:
And only anger could break and untie it.
~ Michelangelo Buonarroti
That day I saw beneath dark clouds
the passing light over the water
and I heard the voice of the world speak out,
I knew then, as I had before
life is no passing memory of what has been
nor the remaining pages in a great book
waiting to be read.
It is the opening of eyes long closed.
It is the vision of far off things
seen for the silence they hold.
It is the heart after years
of secret conversing
speaking out loud in the clear air.
It is Moses in the desert
fallen to his knees before the lit bush.
It is the man throwing away his shoes
as if to enter heaven
and finding himself astonished,
opened at last,
fallen in love with solid ground.
— David Whyte
For the sake of a single poem, you must see many cities, many people and Things, you must understand animals, must feel how birds fly, and know the gesture which small flowers make when they open in the morning. You must be able to think back to streets in unknown neighborhoods, to unexpected encounters, and to partings you had long seen coming; to days of childhood whose mystery is still unexplained, to parents who you had to hurt when they brought in a joy and you didn’t pick it up (it was a joy meant for somebody else —); to childhood illnesses that began so strangely with so many profound and difficult transformations, to days in quiet, restrained rooms and to mornings by the sea, to the sea itself, to seas, to nights of travel that rushed along high overhead and went flying with all the stars, — and it is still not enough to be able to think of all that. You must have memories of many nights of love, each one different from all the others, memories of women screaming in labor, and of light, pale, sleeping girls who have just given birth and are closing again. But you must also have been beside the dying, must have sat beside the dead in the room with the open window and the scattered noises. And it is not yet enough to have memories. You must be able to forget them when they are many, and you must have the immense patience to wait until they return. For the memories themselves are not important. Only when they have changed into our very blood, into glance and gesture, and are nameless, no longer to be distinguished from ourselves — only then can it happen that in some very rare hour the first word of a poem arises in their midst and goes forth from them.
~ Ranier Maria Rilke