March 22, 2013
Le grenier de Joigny, 1954Emmanuel Sougez

Le grenier de Joigny, 1954
Emmanuel Sougez

March 16, 2013
Carnival Horse, 1932Lee Miller

Carnival Horse, 1932
Lee Miller

February 24, 2013
Horse under Cover (from the Paris Cycle), 2010Stanko Abadžic

Horse under Cover (from the Paris Cycle), 2010
Stanko Abadžic

October 16, 2012
A Plaited Tail, 2005Tessa Traeger

A Plaited Tail, 2005
Tessa Traeger

12:31am
  
Filed under: Tessa Traeger photo horse 
April 4, 2012
Prince on a horse - Rajput Painting c1725 
Ghanerao, Marwar, Rajasthan, Northern India

Prince on a horse - Rajput Painting c1725 
Ghanerao, Marwar, Rajasthan, Northern India

10:15pm
  
Filed under: India arts painting horse 
March 11, 2012
Eagle’s GiftJudy Larson

Eagle’s Gift
Judy Larson

9:58am
  
Filed under: Judy Larson arts horse 
August 2, 2011
Ross and rider, Early Renaissance
Jacopo Bellini

Ross and rider, Early Renaissance
Jacopo Bellini

7:20pm
  
Filed under: Jacopo Bellini arts drawing horse 
July 23, 2011
SubversionMiriam Sweeney

Subversion
Miriam Sweeney

5:22pm
  
Filed under: Miriam Sweeney photo horse 
July 13, 2011
BraidsLori Vrba

Braids
Lori Vrba

11:51am
  
Filed under: Lori Vrba photo horse 
January 30, 2010
Salih Guler

Salih Guler

10:46am
  
Filed under: Salih Guler photo horse 
January 30, 2010
Salih Guler

Salih Guler

10:43am
  
Filed under: Salih Guler photo horse 
December 20, 2009
Lord Mayor’s Show Year 2008 

Lord Mayor’s Show Year 2008 

6:59pm
  
Filed under: photo horse 
December 17, 2009

Photobucket Pictures, Images and Photos


For What Binds Us

There are names for what binds us:
strong forces, weak forces.
Look around, you can see them:
the skin that forms in a half-empty cup,
nails rusting into the places they join,
joints dovetailed on their own weight.
The way things stay so solidly
wherever they’ve been set down —
and gravity, scientists say, is weak.

And see how the flesh grows back
across a wound, with a great vehemence,
more strong
than the simple, untested surface before.
There’s a name for it on horses,
when it comes back darker and raised: proud flesh,

as all flesh
is proud of its wounds, wears them
as honors given out after battle,
small triumphs pinned to the chest —

And when two people have loved each other
see how it is like a
scar between their bodies,
stronger, darker, and proud;
how the black cord makes of them a single fabric
that nothing can tear or mend.


~ Jane Hirschfield

6:23pm
  
December 12, 2009
“What inspired you to turn a horse’s shoulder or rear-end into a piece of art?”

“To me … it is a piece of art. It is the structure of muscle and bone beneath the skin. It is the texture and warmth of the coat. It is the pattern of that coat. My images are what I call a “Visual Touch”. They are what the horse person sees and works with. Not the whole, but the piece. The piece you are grooming. The part under your hand.”

White Horses: An Interview with Juliet Harrison
by Leia Hassey for Escape Into Life - December 2009
12/6/2009 

“What inspired you to turn a horse’s shoulder or rear-end into a piece of art?”

“To me … it is a piece of art. It is the structure of muscle and bone beneath the skin. It is the texture and warmth of the coat. It is the pattern of that coat. My images are what I call a “Visual Touch”. They are what the horse person sees and works with. Not the whole, but the piece. The piece you are grooming. The part under your hand.”


White Horses: An Interview with Juliet Harrison
by Leia Hassey for Escape Into Life - December 2009
12/6/2009 

11:59am
  
Filed under: animals horse photo